supported by 10 fans who also own “Die traurigen Hummer”
This is undoubtedly my single favorite album of all time. It feels like such a perfect culmination of all the themes and ideas Fleet Foxes has been working with since 2008. It answers many of the questions found on both Helplessness Blues and Crack-Up, and represents an incredible maturation and growth in Robin Pecknold's perspective. Their other albums are certainly masterpieces, but this, in my opinion, is their magnum opus. I doubt it will be recognized as such in its time. isaiah_stuart
Another devastatingly beautiful batch of indie rock confessionals from Ontario singer, producer, and multi-instrumentalist Linnea Siggelkow. Bandcamp New & Notable Apr 28, 2024
The experimental rock band's new record is as melodic and inventive as ever, but now with an even more honed sense of play. Bandcamp New & Notable Apr 27, 2024
Ross J. Farrar of Ceremony creates dubby outside punk evoking the minimalism of Young Marble Giants on his second solo record. Bandcamp New & Notable Apr 27, 2024
supported by 7 fans who also own “Die traurigen Hummer”
Keeps up the real good songwriting they've been doing ever since Kintsugi; has all the best elements of the band, great melodies and choruses, but they're also more mature now. Every album Death Cab seem to dig in deeper to the elements the initial albums were experimenting with, bringing it all together. Wolfwatching Music